الطباعة الفنية بين التقنية والتاريخ: مقارنة بين الحفر الغائر والطباعة بالشاشة الحريرية

Benjamin, W. (1968). The work of art in the age of mechanical reproduction. In H. Arendt (Ed.), Illuminations (217–251). Schocken Books.

Drucker, J. (2005). The visible word: Experimental typography and modern art. University of Chicago Press.

Drucker, J. (2013). Graphic design history: A critical guide. Pearson.

Elkins, J. (2012). What is interesting writing in art history? University of Chicago Press.

Gascoigne, B. (2004). How to identify prints: A complete guide to manual and mechanical processes. Thames & Hudson.

Grabowski, B., & Fick, B. (2017). Printmaking: A complete guide to materials and processes (Rev. ed.). John Wiley & Sons.

Griffiths, A. (1996). Prints and printmaking: An introduction to history and techniques. University of California Press.

Hayter, S. W. (1962). New ways of gravure. Oxford University Press.

Hind, A. M. (1923). A history of engraving and etching: From the 15th century to the year 1914. Houghton Mifflin Company.

Ivins, W. M. (1953). Prints and visual communication. MIT Press.

Lengwiler, T. (2013). A history of screen printing: How an art evolved into an industry. ST Media Group

Mirzoeff, N. (2015). How to see the world. Pelican.

Noyce, R. (2016). Printmaking at the edge. Bloomsbury.

Paul, C. (2015). Digital art (3rd ed.). Thames & Hudson.

Ross, J., Romano, C., & Ross, T. (2018). The complete printmaker (2nd ed.). Free Press.

Sabour, A. (2021). Printmaking as a visual communication medium.مجلة العمارة والفنون، 6,(27) 715 -728.

Stijnman, A. (2012). Engraving and etching 1400–2000: A history of the development of manual intaglio printmaking processes. Archetype Publications.

Tallman, S. (2017). The contemporary print: From pre-pop to postmodern. Thames & Hudson.